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Originally led by teenage DJ crews, the scene embraced the up-tempo style known as Latin freestyle. Jocelyn Enriquez – “Do You Miss Me?” (1996)ĭance music vocalist Jocelyn Enriquez grew up in the bustling Filipino American party scene of the 1980s and early 1990s San Francisco Bay Area.
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His best known composition, “The Butterfly Lover’s Song,” takes a classic Chinese folk song and remakes it with a contemporary jazz aesthetic.Ħ. Along with contemporaries like Fred Ho, Mark Izu, and the late Fred Ho(un), Jang used jazz as a medium to explore a nascent Asian American sensibility. Jon Jang – “Butterfly Lover’s Song” (1993)Ĭhinese American pianist Jon Jang was heavily influenced by the politics of the Asian American Movement and often tried to exemplify its themes in both his compositional approach and cross-cultural collaborations. “You Got It All” was a big hit on the Adult Contemporary chart and remains a slow jam standard for a generation of 1980s babies.ĥ. (The next group to follow in those footsteps were Far East Movement, and that took a quarter century).
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They began to climb the charts by the mid-1980s and became the first group of Asian Pacific Islander descent to crack the pop Top 10. This family group of second generation Tongan Americans came out of the fertile Minneapolis R&B scene of the 1980s. When the trio of Nobuko Miyamoto, Chris Iijima, and William “Charlie” Chin released their debut album on the Paredon label (now part of Smithsonian Folkways Recordings) in 1973, they became the first group to record under the self-conscious banner of “Asian America.” Previously, the term had little meaning, politically or culturally, but the Asian American Movement of the early 1970s promoted a new, pan-ethnic identity of solidarity, exemplified on “We Are the Children,” one of the group’s first compositions and most enduring anthems. A Grain of Sand – “We Are the Children” (1973) Just imagine the cocktails with their little umbrella swizzles.ģ. The Happy Samoans recorded their ode to the sandwich on an early 1970s lounge album, supposedly recorded live at the China Royale. The chow mein sandwich- a Chinese American dish if ever there was one-dates back even earlier, at least as far back as the 1930s. Originally hailing from Hawaii, Alika and the Happy Samoans ended up as the house band for China Royale, a Chinese restaurant in Fall River, Massachusetts, that dates back to 1950. Alika and the Happy Samoans – “Chow Mein Sandwich” (1970s)
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That led to a string of records, mostly of jazz standards, and then a successful run on Broadway with the 1958 production of Flower Drum Song.Ģ. A second-generation Japanese American whose family was interned during World War II, Suzuki caught notice in the Seattle nightclub scene in the late 1950s. Suzuki was one of the most successful of Asian American artists in the pre-1965 era. Music was a key way through which that diversity made its literal and proverbial voices heard. Following the 1965 act, Asian America was remade, creating distinct generational identities within the larger community. For Asian Pacific Islander Americans, it brought an end to over eighty years of highly restrictive, discriminatory immigration policies, dating back to the first Chinese Exclusion Act of 1882. If a listener doesn’t want to create a station based on a song, they can simply enter an artist and see what comes up from there, with several singles from the identified artist typically becoming a part of the playlist.October 3, 2015, marked the fiftieth anniversary of the Hart-Celler Act, better known as the Immigration and Nationality Act of 1965. Music lovers created the most stations using these songs as a starter in 2015:ġ. Once a sound is identified, the program’s algorithms go to work, suggesting music that the listener may be into. In addition to liking single songs, users can create custom radio stations based around a track they love.